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When editing black and white photos if all you’re doing is desaturating the image to remove all color, you’re missing out on so much that could make your photo more dynamic! Converting to grayscale is a start, but the image will be a bit dull without these black and white editing techniques.

It also helps to start with a photo that has great black and white potential. That said, any photo can be converted to black and white, but some will work better than others.

How can I make a photo black and white?

Just because you took a photo in color, doesn’t mean it has to stay that way – it’s one of the great things about digital photography. There are two ways to make a photo black and white:

  • One, is in camera if you’re photographing in Jpeg.
  • The other is when processing your photos on the computer if you’re shooting in RAW. All photo editing programs are able to convert images from color to black and white.

Some, especially the paid ones, are better than others. I use Lightroom Classic – that’s the Lightroom version for computers, although Lightroom (for mobile) is also great at converting color photos to black and white.

Before we get into the exact steps of editing black and white photos, here are general principles you need to know about black and white photography.

How color converts to black and white in photos

Composition for black and white photography

When you strip color from a photo your composition becomes more important.

The strongest of these composition elements is leading lines. They pull the viewer into the photo and direct their gaze to the focal point. By removing the distraction of color, leading lines are often more obvious in photos.

So, when editing black and white photos, it helps to define these lines further, which is why taking the photo is only half way to creating a great black and white photo.

Texture becomes more obvious in black and white photos too, so the light and light direction has a bigger impact in black and white than in color photos.

Other compositional elements such as shapes, framing and lines are also important.

Contrast in black and white photos

Without contrast you have a very dull black and white photo. Contrast is more important to black and white photography than it is to color photography. So, an image that is quite “contrasty” will more than likely be great in black and white.

Factors that increase contrast in an image:

  • Direction of light
  • Quality of light
  • Colors

To make the most of contrast in black and white photography, you need to process your image in Lightroom, or a similar program.

Further reading: Black and white photography tips for beginners

Converting color photos to black and white in Lightroom

In color this is a striking photograph, but when converted to black and white the yellow and orange is too similar to the pale blue sky in the background. So, even with side lighting for contrast, this photo is not ideal for a striking black and white conversion. Although I could add more punch with further editing in Lightroom.

Colors for black and white photos

It’s stating the obvious to say that colors look different in black and white, but do you know exactly what they’ll look like? We’re used to seeing the world in color, so it’s hard to imagine what green looks like in black and white. For example, which is a darker gray – light green or light yellow?

If you have a red rose against a green background or a yellow rose against a green background, which is going to look better in black and white? (The yellow rose – both red and green are quite dark gray in black and white, but yellow is light gray, even dark yellow).

This is why it can be helpful to set your camera color setting to black and white if you intend an image to be in black and white. This might be called monochrome on your camera, depending on brand.

If you’re shooting in RAW, when you import the photo to your computer it will be in color, but you can then simply convert it to black and white – I’ve listed the steps further down. Just be aware that if you’re shooting in Jpeg format, the image will be recorded as black and white, so you won’t have the choice of making it color.

Further reading: Shooting RAW vs JPEG image quality pros and cons

Getting good blacks and whites in photos

You know how if you accidentally put a white sock, or whatever, in the wash with all the blacks the white sock comes out not so white, but you don’t notice how not white it is until you match it up with the other one that didn’t go in the wash?

When the off white sock is next to the black items in the wash it looks quite white. It’s the same in black and white photography.

  • To make your whites look really good, you need to have a good black in a photo. In other words, you must make sure you don’t just have varying degrees of gray. This will make the photo somewhat “muddy”. A definite black and a definite white, even if it’s a small area, sets the tone. Quite literally. This helps to define all the grays in between and give punch to a black and white photo.
  • To bring out the contrast in a photo that doesn’t have actual white, you need black to make light gray seem lighter and therefore white.

Histogram of black and white photo

Histogram for the photo below showing black on the right to almost white on the left.

Quick histogram tip

If you’re not sure that you have both good black and good white in a photo, use the histogram to double check. It’s sometimes difficult to be certain when you’ve been looking at the screen for a while, because our eyes adjust. The histogram, however, will be able to show you the full tonal range and you’ll see if you’ve gone too far, or not far enough, on either the blacks or whites.

Contrast is essential to black and white photography and ensuring there’s a full range of tones when you take the shot will help to create depth, and therefore interest, in a photo.

Black and white photo editing in Lightroom

What photos look good in black and white?

So, bearing all the above black and white photography tips in mind, before we get into editing black and white photos, here’s a summary of what photos look good in black and white…

  • Well composed images with leading lines
  • Scenes with defined shapes, lines and framing
  • Photos lit from the side to create contrast and texture
  • Images with good tonal contrast from light to dark
  • Scenes with colors that work well together when converted to black and white

Now let’s look at editing black and white photos.

General tips for editing photos in black and white

The second part of black and white photography is of course the editing, regardless of which editing program you use. There are no hard and fast rules on how to edit black and white photos, other than to:

  • Maximise the tonal contrast
  • Avoid blowing out the highlights (unless it’s an intentional choice)
  • Don’t block the blacks

Your black and white editing workflow will develop over time, according to your preferences.

So, getting onto the actual steps of editing black and white photos, I use Lightroom…

How do you change to black and white in Lightroom?

Use these Lightroom tools in your black and white editing workflow for better black and white photos.

The first two are crazy easy and you don’t have to go any further, but to really work your black and whites, the other steps are fantastic for fine-tuning your masterpiece.

Lightroom black and white profiles

Here you can see I clicked on the B&W 03 profile to change the photo from color to black and white.

Lightroom picture profile for editing black and white photos

Set your profile to one of the black and white options. This is the easiest way to edit black and white photos.

You could simply choose Adobe Monochrome, but there are 17 other black and white Lightroom profiles to choose from.  Here’s what you need to do:

  • Select browse, then
  • Sroll down and
  • As you mouse over each sample in the you’ll see your image change in the middle panel
  • Click on it to select the one you want
  • Define how strong you want it to be by adjusting the slider and then click close

If you want you can leave it at that, but there’s a lot more that you can do.

Lightroom presets for black and white photos

I chose the B&W Punch Lightroom preset for black and white.

Use Lightroom’s black and white presets

In the Develop Module:

  • Click on Presets in the left panel
  • Scroll down to B&W
  • Mouse over the 10 options to view
  • Click on it to choose the one that you like
  • There’s even a Selenium Tone preset (blue tinge), a Sepia tone preset (brown tinge) and a Split Tone preset.

To be honest, I actually forget about these first two options most of the time and instead process from scratch, because then I know exactly what’s being adjusted. So let’s get into that now.

These next steps are relevant even if you’ve selected a picture profile and/or a Lightroom preset.

Treatment for black and white

If you don’t use the previous two steps:

  • Go straight to Treatment at the top of the Basics panel
  • Select Black and White

Just like that, you have a black and white image. Now the fine tuning starts.

Tone curve tips for black and white photos

The tone curve is the best way to work with contrast in a photo. Lightroom even has a built in tone curve preset that you can use, or you can create your own s curve in the tone curve tool.

To access the Lightroom tone curve preset:

  • Click on Presets
  • Scroll down to Curve
  • Then select one of the 4 options. For contrast I’d recommend “Strong S Curve”

Or do it manually using the tone curve tool. I won’t go into detail here as I wrote a tutorial on using the tone curve, which you’ll find really useful. The tone curve is the basis of all good Lightroom presets on the market.

Lightroom s curve for tone curve contrast

Gentle s curve in the Lightroom tone curve panel.

Briefly, here’s what you do:

  • Select Point Curve
  • Place a point at the quarter, halfway and three quarter marks
  • Drag the quarter mark point down slightly
  • Drag the three quarter point up slightly

Ta-da! One s-curve.

Adjust according to taste and photo requirement.

Further reading: Master the Lightroom tone curve for much better photos

How white balance affects black and white photos

Now that you have a basic black and white conversion, you can fine-tune your image, starting with white balance.

Just because a photo is in black and white doesn’t mean that white balance doesn’t matter. It matters a lot.

When you adjust white balance in a color image you can see the color shift, so it makes sense then that when you adjust the white balance in a black slider the grays will also change. So, while there’s no hard and fast rule of what the white balance should be in a black and white photo, you do have to adjust it to see the impact it has on the photo when editing in black and white.

This is very much dependent on the photo, so just drag the slider back and further until you’re happy with the look.

Set white and black points

I prefer to do it manually using the sliders, but again, this can be automated. In the basic panel, just:

  • Hold down shift
  • Double click the text “whites”
  • Do the same for “blacks”

Lightroom will automatically set your white and black points. You’ll be amazed at the difference it makes!

Contrast and clarity

These two sliders are good for getting some punch into a photo. The contrast slider affects darks and lights and the clarity slider will affect the midtones.

A word of warning – at this point it’s really easy to go overboard. Be careful with how much contrast you push into an image, because it can very quickly look “overcooked”. Your eyes adjust to the image as you work it, soo I highly recommend going to make yourself a cup of coffee at this point. When you come back to your computer, your eyes will see it differently.

BW panel

This is of course the most obvious panel, given that the name is on the label. It’s also where you really get to adjust the impact of color in black and white individually. You’ll notice that the HSL panel is not available now that you’ve converted to black and white. Well, the BW panel is its replacement – basically HSL for BW photos.

This slider works like filters used to in the film days. For example, drag the red filter down to darken reds, or up to lighten them. Etc etc for each color.

Remember what I said further up about how blacks can make grays seem lighter?

If you have a photo with blue skies and fluffy clouds, or any clouds for that matter, drag the blue slider down and the clouds will almost jump out of the shot. It’s the perfect way to make a cloudy sky really punchy in black and white.

Using the tone curve to split tone black and white photos

I raised the bottom point to add blue to the shadows and dropped the top point to bring yellow into the highlights. You can see this reflected in the histogram.

Adding color to black and white photos

Yes, black and white photos can have color!

Now I’m not talking about selective color – where you have a whole image in black and white, except for just one thing in color – because so often that looks terrible, it really dates a photo and can look very amateurish if not done very well.

What I’m talking about is adding a blue tinge to a black and white photo. Or any color for that matter. There are two ways to do this:

  • Tone curve
  • Split toning

1. Tone curve

Adjust the red, blue or green tone curve channels by:

  • lifting the bottom point up on the graph to introduce color into the shadows
  • and/or lowering the top point down to introduce color into the highlights

Introducing color to black and white photos with split toning

I added blue into the shadows only and increased the saturation to 15. The addition of color to the black and white photo is reflected in the histogram.

2. Split toning

Using the sliders, adjust the hue and saturation of the highlights and/or shadows, as well as the balance between the two.

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If you have any questions about editing black and white photos in Lightroom, let us know in the comments.

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By Jane Allan

Jane is the founder of The Lens Lounge and a professional portrait photographer living on the “sunny” south coast of England. Obsessed with light and composition. Will put her camera down to go landsailing.

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